Showing posts with label Leonard Cohen. Show all posts
Showing posts with label Leonard Cohen. Show all posts

Saturday, October 27, 2018

What Leonard Cohen Taught Me About Being Human

Leonard Cohen: 1936-2016

Rest In Peace, Leonard Norman Cohen. Today, nearly two years after your death, you taught me all over again what it means to be fully, achingly human.


What's NOT to love? The Set-up



Among many other things, I love poets, philosophers, and musicians. I have a Pinterest board entitled Muses, Madmen, and Minstrels containing snippets about Van Morrison, Walt Whitman, Leonard Cohen, Elvis Costello, Mark Nepo, Robert Pirsig, and many whose keen observations of the human condition stir my soul. 

By nature, I am primarily a rational, pragmatic person. My artistic side is often well-hidden. Poets, actors, painters, philosophers, singers, and dancers interest and amaze me. That is why I love "muses, madmen, and minstrels" among many other things. 

Scan through the archives of PhilosFX and you will see that Leonard Cohen makes not infrequent appearances. So that explains how it came to pass that, flipping through the TV channels on a Notre Dame football bye weekend (Sat, Oct 20), I found something at the nexus of many things I love, something that made my jaw drop, my heart race, and my mind forget about everything else on my To Do list. Thank goodness I had the presence of mind to hit the Record button on my DVR.





Tower of Song

A Memorial Tribute Documentary
by Jack Bender

This moving documentary tribute to the life and loves of poet, artist, philosopher, monk, and performer Leonard Cohen was showing as a fundraiser on my local Public Broadcasting System (PBS) affiliate, Maryland Public TV (MPT). For those who may not recognize his name, Jack Bender, a producer and director, is known for Alias (2001), Lost (2004), and Game of Thrones (2011).


What's NOT to love? The Scene



I loved all of these aspects of this production:
  • Leonard Cohen's autobiographical poems about pain, longing, hope, love, and loss were lovingly resurrected and re-interpreted by the likes of Elvis Costello, Bettye Lavette, and Sting
  • I enjoy supporting Public TV and radio. 
  • The timing and the location of this event were special. Leonard is Montreal's favorite son, and people from around the world came to see this show almost exactly one year after he passed. 
  • The stage and set creatively evoked Cohen's overwatching presence

What's NOT to love? The Songs

These were just a few of the standout performances
  • "Bird on the wire," the second of two powerful appearances by Elvis Costello 
  • Leonard Cohen's son, Adam, singing "So Long, Marianne" better than his old man ever did, while backup singer Hattie Webb looks at him like she knows a secret. 
  • The Lumineers (or, at least, some of them) did a great job on "Democracy." 
  • "Suzanne" performed by Ron Sexsmith. Need I say more?
  • Peter Gabriel's cameo at 47:43. Perfect!
  • And so much more... For 90 minutes, one gut-wrenching moment was followed by another...

I want to circle back to Adam Cohen's twist on "So Long, Marianne," because that performance absolutely floored me. But first, I need to share what was, for me, clearly the most visceral moment of the show.



k. d. lang performing Hallelujah for Tower of Song


Maybe you have heard "Hallelujah" performed a few dozen times. It's a masterpiece. Many artists have covered it. I even wrote a post about the many different versions, concluding that none performed better than Cohen himself. But I must admit, I now must publish a retraction and an update. I had never heard this classic song performed to its soulful perfection until I heard k. d. lang's rendition for "Tower of Song."

I was mesmerized. Reduced to elements. When was the last time you cried? For me, it when k. d. lang reminded me why I love muses, madmen, and minstrels.  But the story does not end here. I mentioned the devastating twist Adam gave to his father's love song to Marianne. Let's look into that more deeply.





Cohen with Marianne Ihlen, his Norwegian muse


What is the story of Leonard and Marianne? 

As a young man in his mid-20s, Leonard Cohen moved to the Greek island of Hydra from Montreal to find his muse. There he met a beautiful woman named Marianne. The two stayed together through the 60s, raising her son and commuting between Hydra, her home in Oslo, his home in Montreal, and a home they made together in New York. Throughout their relationship, Cohen wrote about Marianne and dedicated many songs, poems, and drawings to her. The lyrics to "So Long, Marianne" offer many clues as to why the relationship did not last.

Time rolled along. Fifty-seven years after the two lovers first met, and when he himself was in failing health, Leonard received word that Marianne was on her deathbed. Cohen wrote to her in a letter read to her two days before her death, and again at her funeral, saying:

"Know that I am so close behind you that if you stretch out your hand, I think you can reach mine... Goodbye old friend. Endless love, see you down the road." 

Marianne died in hospital in Oslo on 28 July 2016, aged 81. Leonard died three months later, on November 7. Tower of Song, the memorial tribute, was recorded a day shy of a year later, in Montreal, on 6 November 2017.

Now you know the backstory about the namesake for Cohen's song, "So long, Marianne." One day short of a year after Leonard's passing, Adam Cohen performed his father's song. He looked just like his father, and accompanying vocalist Hattie Webb looked remarkably similar to Marianne Ihlen. These resemblances took my breath away, and I couldn't help but notice glances between the two. And then the kicker: the music softens, as do the lights, and Adam recites portions of his father's letter to Marianne. I lost it! You have got to see this! Total tear-jerker.

+++++++

There are too many other highlights to recount in this soulful summation of Cohen's life and loves. His was a complicated journey, one which has touched me deeply.
Hineni, Hineni
Here I am Lord
I'm with you, my Lord


"I don't consider myself a pessimist. I think of a pessimist as someone who is waiting for it to rain. And I feel soaked to the skin." --LNC



Here is a link to a video of the program. You will want to watch the whole thing. Of course, I also encourage you to purchase the two-DVD set, either directly, or via a donation to Public Broadcasting. Watch this tribute and connect with what it means to inhabit this mortal coil if only briefly. 


Additional Information

If you would like to read more about Leonard Cohen, his life and loves, or the Tower of Song tribute, please have a look at these links.

Tuesday, September 11, 2018

Let Light Shine Out of Darkness



Everyone in the whole world is not always as small, 
thoughtless, impatient, ungrateful, or petty
as the worst of us can be. 

And even the worst of us can be cheerful, 
kind, helpful, generous, or brave. 

So how then to live? 

Focus on the positive. Seek it out. Nurture it. 
Exemplify and exude positivity.  

Only light can dispel the darkness

Getty Royalty Free Image



Read more:

David Suzuki writes about how to live in dark and troubling times (with nice references to Leonard Cohen and William Butler Yeats).

Light is used to symbolize God, faith, or holiness throughout the Bible. Here are 21 Bible verses about light. Read these to gain a better understanding of light as the symbol of positivity.






Saturday, July 1, 2017

Choir! Choir! Choir! Rufus Wainwright and 1500 singers sing Leonard Cohen's Hallelujah


I love everything about this music video: the song itself, the crowd, the production--everything. Please click HERE and enjoy immensely.




Saturday, May 13, 2017

Why Genius Takes Time: Elvis Costello and Leonard Cohen

This post should be entitled, PhilosFX on Open Culture's Article about Malcolm Gladwell's Revisionist History Podcast on Why Genius Takes Time: A Look at the Making of Elvis Costello’s “Deportee” & Leonard Cohen’s “Hallelujah.” Because, truth in lending, that is what you are really getting here today.





Things I like: podcasts, Malcolm Gladwell, genius, Elvis Costello, Leonard Cohen, Cohen’s song, “Hallelujah,” and writing about all of that on PhilosFX. If today's post strikes some as a bit derivative, so be it. That is a Venn diagram I can really get into! 

Malcolm Gladwell has an new podcast, called Revisionist History. Gladwell recently aired a podcast about the genius of Elvis Costello and Leonard Cohen. Here is a link to a recent episode of unsurpassing interest. The show is 39 minutes in duration, and highly recommended.

Teaser: 

How does genius emerge? An exploration of different types of innovation—through the lens of Elvis Costello’s extraordinary song “Deportee,” once utterly forgettable and then, through time and iteration, a work of beauty and genius. 
Check it out! To learn more about the topics covered in this episode, visit www.RevisionistHistory.com and search for Episode 7, Hallelujah.
When I searched for this podcast, I first landed on this Open Culture story about the podcast (derivative, right?).

One quibble: Gladwell selects John Cale's cover of Hallelujah as his favorite. While there can be no accounting on matters of taste, I respectfully disagree with Malcolm on this point. For reference, I have opined upon this question in a previous post.


Sharing is caring. Here is a bit more info about Open Culture

Open Culture editor Dan Colman scours the web for the best educational media. He finds the free courses and audio books you need, the language lessons & movies you want, and plenty of enlightenment in-between.

And now in conclusion, a bit more about Revisionist History

If you're looking to go deeper into the subjects on Revisionist History, visit Malcolm's collection on iBooks at http://www.apple.co/MalcolmGladwell -- iBooks will update the page every week with new recommendations. 

I love sharing things I love. Today, here on PhilosFX, we are all about Elvis Costello, Leonard Cohen, song-writing genius, creativity over time, and revisionist history through the mind of Malcom Gladwell. Enjoy!



Saturday, February 6, 2016

A Slow, Slurring Sonnet



I get so sad and melancholy when I hear a Leonard Cohen song. Cohen's art is so full of longing and regret that it often evokes a melancholy mood on its own--but that is not the sole reason for my reaction.

Cohen writes songs like the one featured here, Love Itself, and when performing invokes the words as if he were having an intimate conversation with an old friend. I often feel like an eavesdropper when listening to a Cohen song. And it makes me feel sad because Cohen has somehow figured out how to express deep human emotions in an effortless, off-hand manner.

But the casual conversation so effortlessly tossed out for any ear is often just exactly what my soul is struggling so hard to say. My own emotions are so difficult for me to express. How is it that Cohen can so easily expose the human heart? How is that possible? How is it fair? I try so hard and nothing happens. Cohen talks with anybody or nobody over a cup of coffee and the wisdom of the ages is revealed in a slow, slurring sonnet.

Not fair.

Wednesday, February 3, 2016

Ring the Bells that Still Can Ring





Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That's how the light gets in.


I love the poster.
I recognized one of my favorite Cohen quotes.

Searching the PhilosFX archive, 
I found this old post 
with a similar quote from the Sufi mystic, Rumi. 


Was Cohen channeling Rumi? 
Or are the two just kindred souls? 


A universal Truth awaits those who seek it.

Monday, May 25, 2015

That's How the Light Gets In



The birds they sang
at the break of day
Start again
I heard them say
Don't dwell on what
has passed away
or what is yet to be.


Ring the bells that still can ring
Forget your perfect offering


There is a crack in everything. 
That's how the light gets in.


from the lyrics to 

Anthem

by





H/T: AN




"Anthem"


The birds they sang
at the break of day
Start again
I heard them say
Don't dwell on what
has passed away
or what is yet to be.
Ah the wars they will
be fought again
The holy dove
She will be caught again
bought and sold
and bought again
the dove is never free.

Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That's how the light gets in.

We asked for signs
the signs were sent:
the birth betrayed
the marriage spent
Yeah the widowhood
of every government --
signs for all to see.

I can't run no more
with that lawless crowd
while the killers in high places
say their prayers out loud.
But they've summoned, they've summoned up
a thundercloud
and they're going to hear from me.

Ring the bells that still can ring ...

You can add up the parts
but you won't have the sum
You can strike up the march,
there is no drum
Every heart, every heart
to love will come
but like a refugee.

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That's how the light gets in.

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That's how the light gets in.
That's how the light gets in.
That's how the light gets in.

Tuesday, April 15, 2014

This Mood Is Not Your Fault (NaPoMo 15/30)

This mood? It's not your fault...
Self-portrait, after an idea in Leonard Cohen's Book of Longing. Pencil on paper. Some editing in Picassa. Tax Day. The anniversary of the Boston Marathon Bombing. And it's ... snowing(?) again(!?) 

Wednesday, April 2, 2014

Hallelujah Redux (NaPoMo 2/30)

In honor of my friend Alisha's moving open mic performance at Busboys and Poets (Shirlington), I offer my arrangement to the lyrics of one of my favorite songs, Leonard Cohen's Hallelujah. #NaPoMo


1          HOLY MYSTERY         


Now I've heard there was a secret chord
That David played, and it pleased the Lord
But you don't really care for music, do ya?
It goes like this
The fourth, the fifth
The minor fall, and the major lift
The baffled king composing Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

2          LUSTFUL PASSION


Your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty and the moonlight overthrew ya.
She tied you to
Her kitchen chair
She broke your throne, and she cut your hair
And from your lips she drew the Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

3          SACRED OR PROFANE?


You say I took the name in vain
I don't even know the name
But if I did, well really, what's it to ya?
There's a blaze of light
In every word
It doesn't matter which you heard
The holy or the broken Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

4          COLD AND BROKEN


Baby, I've been here before
I know this room, I've walked this floor
I used to live alone before I knew ya.
Yeah I've seen your flag
On the marble arch
But love is not a victory march
No it's a cold and it's a broken Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

5          SAD AND WISTFUL


There was a time you let me know
What's really going on below
But now you never show that to me, do ya?
I remember
When I moved in you
And the holy dove was moving too
Yes every breath we drew was Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

6          LOST AND LONELY


Maybe there's a God above
As for me, all I've ever learned from love
Is how to shoot somebody who outdrew ya.
Yeah but it's not a cry
That you hear at night
It's not some pilgrim who has seen the light
No it's a lost and it's a very lonely Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

7          DEFIANT: DOWN, BUT NOT OUT


I did my best, it wasn't much
I couldn't feel, so I learned to touch
I've told the truth, I didn't come all this way to fool ya.
Yeah even though
It all went wrong
I'll stand right here before the Lord of Song
With nothing on my tongue but Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

Hallelujah





For the back-story, and more information about the various performers who have covered this song (before Alisha) please see the original post HERE.