Saturday, October 27, 2018

What Leonard Cohen Taught Me About Being Human

Leonard Cohen: 1936-2016

Rest In Peace, Leonard Norman Cohen. Today, nearly two years after your death, you taught me all over again what it means to be fully, achingly human.


What's NOT to love? The Set-up



Among many other things, I love poets, philosophers, and musicians. I have a Pinterest board entitled Muses, Madmen, and Minstrels containing snippets about Van Morrison, Walt Whitman, Leonard Cohen, Elvis Costello, Mark Nepo, Robert Pirsig, and many whose keen observations of the human condition stir my soul

By nature, I am primarily a rational, pragmatic person. My artistic side is often well-hidden. Poets, actors, painters, philosophers, singers, and dancers interest and amaze me. That is why I love "muses, madmen, and minstrels" among many other things. 

Scan through the archives of PhilosFX and you will see that Leonard Cohen makes not infrequent appearances. So that explains how it came to pass that, flipping through the TV channels on a Notre Dame football bye weekend (Sat, Oct 20), I found something at the nexus of many things I love, something that made my jaw drop, my heart race, and my mind forget about everything else on my To Do list. Thank goodness I had the presence of mind to hit the Record button on my DVR.





Tower of Song

A Memorial Tribute Documentary
by Jack Bender

This moving documentary tribute to the life and loves of poet, artist, philosopher, monk, and performer Leonard Cohen was showing as a fundraiser on my local Public Broadcasting System (PBS) affiliate, Maryland Public TV (MPT). For those who may not recognize his name, Jack Bender, a producer and director, is known for Alias (2001), Lost (2004), and Game of Thrones (2011).


What's NOT to love? The Scene



I loved all of these aspects of this production:
  • Leonard Cohen's autobiographical poems about pain, longing, hope, love, and loss were lovingly resurrected and re-interpreted by the likes of Elvis Costello, Bettye Lavette, and Sting
  • I enjoy supporting Public TV and radio. 
  • The timing and the location of this event were special. Leonard is Montreal's favorite son, and people from around the world came to see this show almost exactly one year after he passed. 
  • The stage and set creatively evoked Cohen's overwatching presence

What's NOT to love? The Songs

These were just a few of the standout performances
  • "Bird on the wire," the second of two powerful appearances by Elvis Costello 
  • Leonard Cohen's son, Adam, singing "So Long, Marianne" better than his old man ever did, while backup singer Hattie Webb looks at him like she knows a secret. 
  • The Lumineers (or, at least, some of them) did a great job on "Democracy." 
  • "Suzanne" performed by Ron Sexsmith. Need I say more?
  • Peter Gabriel's cameo at 47:43. Perfect!
  • And so much more... For 90 minutes, one gut-wrenching moment was followed by another...

I want to circle back to Adam Cohen's twist on "So Long, Marianne," because that performance absolutely floored me. But first, I need to share what was, for me, clearly the most visceral moment of the show.



k. d. lang performing Hallelujah for Tower of Song


Maybe you have heard "Hallelujah" performed a few dozen times. It's a masterpiece. Many artists have covered it. I even wrote a post about the many different versions, concluding that none performed better than Cohen himself. But I must admit, I now must publish a retraction and an update. I had never heard this classic song performed to its soulful perfection until I heard k. d. lang's rendition for "Tower of Song."

I was mesmerized. Reduced to elements. When was the last time you cried? For me, it when k. d. lang reminded me why I love muses, madmen, and minstrels.  But the story does not end here. I mentioned the devastating twist Adam gave to his father's love song to Marianne. Let's look into that more deeply.





Cohen with Marianne Ihlen, his Norwegian muse


What is the story of Leonard and Marianne? 

As a young man in his mid-20s, Leonard Cohen moved to the Greek island of Hydra from Montreal to find his muse. There he met a beautiful woman named Marianne. The two stayed together through the 60s, raising her son and commuting between Hydra, her home in Oslo, his home in Montreal, and a home they made together in New York. Throughout their relationship, Cohen wrote about Marianne and dedicated many songs, poems, and drawings to her. The lyrics to "So Long, Marianne" offer many clues as to why the relationship did not last.

Time rolled along. Fifty-seven years after the two lovers first met, and when he himself was in failing health, Leonard received word that Marianne was on her deathbed. Cohen wrote to her in a letter read to her two days before her death, and again at her funeral, saying:

"Know that I am so close behind you that if you stretch out your hand, I think you can reach mine... Goodbye old friend. Endless love, see you down the road." 

Marianne died in hospital in Oslo on 28 July 2016, aged 81. Leonard died three months later, on November 7. Tower of Song, the memorial tribute, was recorded a day shy of a year later, in Montreal, on 6 November 2017.

Now you know the backstory about the namesake for Cohen's song, "So long, Marianne." One day short of a year after Leonard's passing, Adam Cohen performed his father's song. He looked just like his father, and accompanying vocalist Hattie Webb looked remarkably similar to Marianne Ihlen. These resemblances took my breath away, and I couldn't help but notice glances between the two. And then the kicker: the music softens, as do the lights, and Adam recites portions of his father's letter to Marianne. I lost it! You have got to see this! Total tear-jerker.

+++++++

There are too many other highlights to recount in this soulful summation of Cohen's life and loves. His was a complicated journey, one which has touched me deeply.
Hineni, Hineni
Here I am Lord
I'm with you, my Lord


"I don't consider myself a pessimist. I think of a pessimist as someone who is waiting for it to rain. And I feel soaked to the skin." --LNC



Here is a link to a video of the program. You will want to watch the whole thing. Of course, I also encourage you to purchase the two-DVD set, either directly, or via a donation to Public Broadcasting. Watch this tribute and connect with what it means to inhabit this mortal coil if only briefly. 


Additional Information

If you would like to read more about Leonard Cohen, his life and loves, or the Tower of Song tribute, please have a look at these links.

Tuesday, October 2, 2018

The Year in Rock: 1971

Though I might have been a tad young to appreciate it in real time,

1971 was a great year in rock music! 




Offered herewith is a seven-song sample to give credence to the claim. This set of songs was played on "The Sunken Roadhouse," a weekly two-hour broadcast of music curated by DJ John on radio station KPUP 100.5 FM out of Patagonia, AZ. 




Wild Horses by The Rolling Stones. https://www.shazam.com/track/5183110/wild-horses

One Of These Days by Pink Floyd. https://www.shazam.com/track/283246/one-of-these-days 


Yesterday's Numbers by Flamin' Groovies. https://www.shazam.com/track/3077759/yesterdays-numbers




As each of these classic tunes played, I used my Shazam app and captured a link with additional details about the song. Follow each link, and you might see album covers, music videos, related tracks, lyrics, liner notes, band member bios, and more. 


Shazam can identify the music, movie, TV show,
or advertisement from a short snippet of sound


Do you agree that 1971 was a great year in rock? Was it perhaps the greatest year? In the comments, cast your ballot! 




You can listen to all of KPUP's community programming 24/7 online at http://kpup.info/. Tune in Friday nights at 7 PM* for The Sunken Roadhouse. If you enjoy the show, ask John for a playlist--he'll email it right out to you. Simply respond to the email address he provides over the air. Check out KPUP, John's show, and these great songs, and share your reactions in the comments!









1971 was a great year in rock music. One influential music journalist, David Hepworth, claims it was the greatest year in rock music. Here are some links to articles or radio programs about Hepworth, his book, Never a Dull Moment, and the evidence he cites to bolster his claim.


Enjoy!



Loudersound: 71 reasons why 1971 is rock's greatest-ever year

NPR: why 1971 was the greatest year for rock music ever

Spectator: was-1971-really-the-best-ever-year-for-music?

The Guardian: 1971 Never a Dull Moment Rock's Golden Year

Telegraph: was-1971-the-greatest-year-in-pop-history?

Visit Patagonia
*That's 7 PM Arizona time, folks--and remember, Arizona don't play that Daylight Saving Time nonsense!  

Tuesday, September 11, 2018

Let Light Shine Out of Darkness



Everyone in the whole world is not always as small, 
thoughtless, impatient, ungrateful, or petty
as the worst of us can be. 

And even the worst of us can be cheerful, 
kind, helpful, generous, or brave. 

So how then to live? 

Focus on the positive. Seek it out. Nurture it. 
Exemplify and exude positivity.  

Only light can dispel the darkness

Getty Royalty Free Image



Read more:

David Suzuki writes about how to live in dark and troubling times (with nice references to Leonard Cohen and William Butler Yeats).

Light is used to symbolize God, faith, or holiness throughout the Bible. Here are 21 Bible verses about light. Read these to gain a better understanding of light as the symbol of positivity.






Wednesday, August 22, 2018

Under Lime



That pencil sketch at 2:20 comes back in light color at 2:30 and looks quite dashingly bold at 3:34!

Who is Maurice Worm (4:35)? That's none other than Rock 'n' Roll Hall of Fame pianist, Stephen John Nason. Stephen is better known to Elvis Costello fans as Steve  (what's a "groupie"?) Nieve! A man of many names, Stephen is also known as Steve A'dore (get it?), Norman Brain, and yes, Maurice Worm.

Credit for the video's artwork is given to one Eamon Singer (0:10), who also produced the video for 'Unwanted Number'. Elvis fans will remember paintings by this artist appeared on the inner sleeve of his 1984 album 'Good Bye Cruel World' and on the cover of his 1986 LP 'Blood and Chocolate'. If you liked those paintings, you'll love the cover of 'Look Now'.



Who is Florence Lacy (0:38)? Who, indeed!

The character at 2:00 is reminiscent of the chap on the cover of 'Imperial Bedroom'.


The Imperial Bedroom cover is a painting titled "Snakecharmer & Reclining Octopus" by Barney Bubbles (but credited to "Sal Forlenza").

Look Now Tracklist:
01. Under Lime <<
02. Don’t Look Now
03. Burnt Sugar Is So Bitter
04. Stripping Paper
05. Unwanted Number
06. I Let The Sun Go Down
07. Mr. & Mrs. Hush
08. Photographs Can Lie
09. Dishonor The Stars
10. Suspect My Tears
11. Why Won’t Heaven Help Me?
12. He’s Given Me Things
Deluxe Special Edition Tracks:
13. Isabelle In Tears
14. Adieu Paris (L’Envie Des Étoiles)
15. The Final Mrs. Curtain
16. You Shouldn’t Look At Me That Way
Elvis Costello Tour Dates:
11/02 – Bethlehem, PA @ The Sands Bethlehem Event Center
11/04 – Washington, DC @ DAR Constitution Hall <<
11/06 – Asbury Park, NJ @ Paramount Theatre
11/07 – Verona, NY @ Turning Stone Resort Casino
11/09 – Wallingford, CT @ Toyota Presents Oakdale Theatre
11/10 – Boston, MA @ Boch Center Wang Theatre
11/11 – Buffalo, NY @ Shea’s Performing Arts Center
11/13 – Detroit, MI @ The Fillmore Detroit
11/15 – Minneapolis, MN @ Northrop Auditorium
11/17 – Grand Rapids, MI @ 20 Monroe Live
11/19 – Memphis, TN @ Orpheum Theatre
11/21 – St. Louis, MO @ Peabody Opera House
11/23 – Thackerville, OK @ WinStar World Casino
11/25 – Denver, CO @ Fillmore Auditorium
11/27 – Phoenix, AZ @ Comerica Theatre
11/28 – Anaheim, CA @ House of Blues Anaheim
11/29 – Los Angeles, CA @ The Wiltern
12/01 – San Francisco, CA @ The Masonic
12/03 – Seattle, WA @ Paramount Theatre
12/04 – Vancouver, BC @ Queen Elizabeth Theatre

Tuesday, August 14, 2018

An Ode to the 1952 Vincent Black Lightning






1952 Vincent Black Lightning
by Richard Thompson



Says Red Molly, to James, "Well that's a fine motorbike.
A girl could feel special on any such like."
Says James, to Red Molly, "My hat's off to you.
It's a Vincent Black Lightning, 1952.


And I've seen you on the corners and cafes, it seems.
Red hair and black leather, my favorite color scheme."
And he pulled her on behind,
And down to Boxhill,
They'd Ride.


Says James, to Red Molly, "Here's a ring for your right hand.
But I'll tell you in earnest I'm a dangerous man;
For I've fought with the law since I was seventeen.
I've robbed many a man to get my Vincent machine.


And now I'm twenty-one years, I might make twenty-two.
And I don't mind dyin' but for the love of you.
But if fate should break my stride, then I'll give you my Vincent,
To Ride."


"Come down Red Molly, " called Sargent McQuade.
"For they've taken young James Aidee for Armed Robbery.
Shotgun blast hit his chest, left nothing inside.
Oh, come down, Red Molly, to his dying bedside."


When she came to the hospital, there wasn't much left.
He was runnin' out of road. He was runnin' out of breath.
But he smiled, to see her cry.
And said, "I'll give you my Vincent.
To Ride."


Said James, "In my opinion, there's nothing in this world
Beats a '52 Vincent and a Redheaded girl.
Now Nortons and Indians and Greeves' won't do.
Oh, they don't have a Soul like a Vincent '52."


Well he reached for her hand and he slipped her the keys.
He said, "I've got no further use...for these.
I see Angels on Ariels in leather and chrome,
Swoopin' down from Heaven to carry me home."


And he gave her one last kiss and died.
And he gave her his Vincent.
To Ride.

Can you imagine Red Molly taking James Aidee's Black Lightning on that first solo ride?

Red Molly
Now it's time to have a listen to Richard Thompson performing his classic song.




To hear the soul-stirring sound of a vintage Vincent
press 
>> HERE <<



Now let's have a look at some of the motorcycles James Aidee considered and dismissed in favor of his Vincent Black Lightning, 1952.  


Museum of Contemporary Motorcycles Referenced in the Song
1952 Vincent Black Shadow, similar to the Black Lightning

1949 Vincent Red Rapide

Let's agree with Richard Thompson's James Aidee: compared to the Vincent models, and especially to the super-fast Black Lightning, the contemporary Nortons, Indians, and Greeves' simply won't do. 

1952 Norton Model 7 Dominator, the Norton
factory's first twin cylinder machine

1953 Indian Chief, big and bulky and built
for comfort on the wide open road

1955 Greeves 20T, built three years after the Lightning,
and for a different purpose (time-trials) 

1957 Greeves Fleetwing has the same unusual downtube as the 20T,
but a bigger engine and more of a road-worthy design


To my eyes, the Ariel comes the closest to matching the soul of the Vincent. Still, it isn't quite right, either. Not even the 1938 Red Hunter seems fit for a leather-clad angel on a soul-saving mission. 


1938 Ariel Red Hunter

I can't imagine why the Triumph fails to get a mention in this song.

1952 Triumph Thunderbird

Being more of a Harley man myself, I propose an edit:

"I see Angels on Harleys in leather and chrome, 
Swoopin' down from Heaven to carry me home." 

Just for the sake of comparison (and as if to prove my point), here is an image of my angel's preferred chariot. When my time comes. take me home on a Harley! 


1952 Harley-Davidson FL Hydra-Glide
As we know from another post on this blog, 1952 was a big year for the Harley-Davidson Motor Company. That's the year that their large-frame bike, the FL Hydra-Glide, was fitted with a new style of transmission featuring a hand clutch and a foot shifter. This would soon become an industry standard. The old EL model, with its foot clutch and hand shifter, was discontinued. Note: my leather-clad angels would not let a suicide shifter deter them for a moment!  


But this post is about the legendary Vincent Black Lightning motorcycle. Capable of speeds up to 150 mph, the Black Lightning set many speed records in its era. In January 2018, it set one more record: A 1951 Vincent Black Lightning motorcycle sold at auction for the highest price ever paid: $929,000!
Jack Ehret signed this bike on which he set the Australian land speed record (141.5 mph) in January 1953


The most expensive motorcycle in the world is one of only a few dozens known to exist, and one of only 19 with full matching numbers (same numbers on both the frame and the engine). It bears Jack Ehret's signature on the fuel tank. Bonhams sold it in Las Vegas in January 2018 for $929,000–a record for any motorcycle at auction

Read more about the bike on The Hot Bid, and learn about a second Vincent Black Lightning going up for sale at Bonhams in Alabama in October 2018.

I wonder if Richard Thompson, whose brilliant folk song has added immeasurably to the lore of the Black Lightning, will get a share of the proceeds?


"Red hair and black leather, my favorite color scheme."

As always, thank you for reading PhilosFX. Feel free to follow, comment, and share if you are so inclined.


Tuesday, August 7, 2018

Happy PhilosFX Day!

Happy PhilosFX Day!



At midnight GMT (8 pm Eastern) between 6 and 7 Aug, we ended 8 years of blogging and started year 9. Thanks for coming along for the ride!


Wednesday, May 2, 2018

A Parable About Space and Time


This parable is inspired by a prophecy told by the Lummi people, the original inhabitants of Washington's northernmost coast and southern British Columbia. For thousands of years, they have worked, struggled and celebrated life on the shores and waters of the Puget Sound.




A parable about space and time
by Kyle Dome Doane


Before the storyteller, there was nothing to see.

The Universe was perfect
and everything was perfectly clear

There were no thoughts...
  • No words
  • No time
  • No stars
  • No planet
  • No mountains
  • No trees
  • No animals
  • No people
  • No human beings
Like a perfect mirror, anyone who looked into the universe would only see their own reflection. Most human beings were afraid to look for longer than a blink. But, the Storyteller wanted to understand the Universe. The Storyteller stared unblinkingly into the reflection.

After a time, The Storyteller saw deeper than just personal reflection. Was the Storyteller in the Universe? Was the Universe in the Storyteller? The Storyteller began to see the structure and form and void of the Universe.

But, thoughts began to form, then words. A question began to materialize within the Storyteller. When the Storyteller spoke The Question, the universe shook and shattered into countless fragments.

The Storyteller gathered many scattered words and ideas and tried to fit them back together, but pieces were missing and the new story was incomplete, rough and sometimes painful to hold.

The Looker took the story from the Teller and turned the story over and over to examine from different points of view. It wasn't easy. The sharp edges sometimes cut. The Looker could see current universe story, but could only see glimpses of the Way the Universe had once been.

The Hearer accepted the story without question and without examination. The Hearer copied the story and passed it to other Hearers who, in their turn passed the story to their lineage of Hearers. Sometimes Hearers would accidentally break off parts or accidentally add their own. This was seldom purposeful creation. Each lineage was certain their Story was the Truth of the Universe.

The versions of the story began to differ. Each time the story got handed down, it became smoother. More polished. Easier to hold.

Some stories became so polished, so perfectly clear that they simply reflected the image of anyone who looked into it.

And that is all.