Saturday, May 14, 2016

Me & Bobby (or Bobbi?) McGee & Janis Joplin & P!nk & Kris Kristofferson & You

Janis Joplin

Now and then, you hear a song--and it just grabs you. "Me and Bobby McGee" is such a song for many of us. We've all heard lots of covers over the years, from Roger Miller (1969) to Grace Askew (2013). Why does this particular song spark so much interest? How is it that we prefer some versions of the "same" song over others?

"When you hear a great song, you can think of where you were when you first heard it, the sounds, the smells. It takes the emotions of a moment and holds it for years to come. It transcends time. A great song has all the key elements — melody; emotion; a strong statement that becomes part of the lexicon; and great production."--Jay-Z, Rolling Stone

Recently, I heard P!nk's (2003) cover--and it transported me back in time. I enjoyed comparing P!nk's voice and attitude with Janis Joplin's iconic expression from over 30 years prior.

Alecia Beth "Pink" Moore

The experience of reveling in the renditions of this particular story got me wondering--how it is that certain songs stick with us? Some songs grab and hold. How does that work? What makes a song stick with you over time? How does a piece music grab us when another leaves us cold? How does it work for you?
  • Do you respond to the lyrics? Perhaps you are a cognitive learner and you tend to experience the world intellectually--or at least, in your mind. 
  • Or, is your response more beat-driven? In that case, you may be a kinetic learner and your favorite songs are those which make you want to dance. 
  • Perhaps you hear the music and the accompaniment and your response is mostly about the harmony. This preference fits the profile of an auditory learner.
In truth we are all use a mix of these learning styles. Educators will often deliberately employ cognitive, kinetic, and auditory methods to engage students inside of their comfort zones. Perhaps the most successful musicians do the same, attempting to reach their audience with a variety of methods.

But when it comes to music appreciation, learning style is just one dimension to consider. Another: Personality type.
  • When you hear a song that grabs you, do you wish you had written it? Does it connect to your personal history? If so, you might be an Introvert (in the sense of Jungian psychology) 
  • Or do you sing along and imagine performing the song yourself? When responding to the song, do you add your own vocal stylings? In this case you may be more of an Extrovert
Kris Kristofferson

The lesson is that the best music offers a combination of features, the mix of which appeals to cognitive, kinetic, and auditory learners and both introverts and extroverts. I believe the most memorable songs are those that somehow engage me on all of these many levels.
"Think of 'Bohemian Rhapsody,' by Queen. That song had everything — different melodies, opera, R&B, rock — and it explored all of those different genres in an authentic way, where it felt natural." --Jay-Z, Rolling Stone

How does music appreciation work for me?
  • I am primarily a cognitive learner with a mild propensity for extroversion. When listening to music, I often pay close attention to the lyrics. This explains my enduring fascination with Elvis Costello, one of the best lyricists ever. His voice could be described as an acquired taste.
  • I know others who love to dance and sure enough, they tend to prefer songs that have a good beat. Often, they have no idea what the song is "about." They are not nearly as interested in the story as they are in the beat. For me the beat is the icing, not the cake.
  • It was a surprise to me when I learned that most songwriters write the music first and then fill in the lyric as an afterthought. That process never would have occurred to me. I thought everyone set lyrics to music, not the other way around.
We appreciate music in different ways. Successful singers and songwriters know that and they use that information when they cast their creative efforts out to the listening audience. Humans are storytellers. We have an innate need to tell and listen to stories. Musicians are our troubadours.

All of this talk of storytelling and music appreciation brings us back full circle to the iconic song we are examining today. "Me and Bobby McGee" is a song that has endured because it:

  • tells a compelling, human story
  • tells that story in a memorable and easily absorbed manner
  • attracts and holds the attention of a wide range of learning styles and personality types.

Let's look at a few different renditions of this classic song and see what jumps out. Since the lyric and melody are essentially the same in all the versions, the popularity of any version must depend on something beyond those factors that are common.



Janis Lyn Joplin was an American singer-songwriter who first rose to fame in the late 1960s as the lead singer of the psychedelic/acid rock band Big Brother and the Holding Company, and later as a solo artist with her own backing groups, The Kozmic Blues Band and The Full Tilt Boogie Band." Janis was born on January 19, 1943 at Port Arthur, TX and she died of an apparent overdose on October 4, 1970 in Hollywood, CA.

I love the gritty and desperate edge on her voice in her rendition of this song. It is so sad that she did not live to see her song, recorded just before her death, rise to Number One in the charts. In fact Janis Joplin's version of Me and Bobby McGee is her only song in the Rolling Stone list of 500 Greatest Songs of All Time, and the only version of the song to make the list.




Alecia Beth "Pink" Moore (born September 8, 1979) (stylized as P!nk) is an American singer and songwriter. I enjoyed comparing P!nk's voice and attitude with Janis Joplin's iconic expression.




Dolly Parton gives it a go. Her voice is sweet and the backing vocals and instrumental accompaniment are polished--too polished for my liking. The gritty, earthiness of Janis Joplin's version connects on a more visceral level.




Johnny Cash & Willie Nelson & and Kris Kristofferson bring three quite different styles of performance to the effort. They play off each other nicely.




I enjoyed this version immensely. As an aging Country Music Hall of Famer, Kris Kristofferson sings the song he wrote in the late 1960. In this version, recorded live, Kristofferson plays his own accompaniment (harmonica and guitar) and dials down the vocals in a way that suits his range and lets the listener focus on the story. Near the end of the performance, he gives a nod to the singer who made his song famous when he sings,
"Feeling good was good enough for me (and Janis!),
good enough for me and Bobby McGee."
Is feeling good good enough for you? You can learn a lot more about Kris Kristofferson and his famous song at this link.

Bottom line for me is simple: to my mind, Janis Joplin owns this song. When I hear any rendition of this classic song, I can't help but mentally picture

Janis Joplin 

on a Harley 

at Woodstock.








Saturday, April 30, 2016

Favorite Scene From Secondhand Lions


This is my favorite scene from one of my favorite movies. 

"I'm Hub McCann. I've fought in two World Wars and countless smaller ones on three continents. I led thousands of men into battle with everything from horses and swords to artillery and TANKS! I've seen the headwaters of the Nile, and tribes of natives no white man had ever seen before. I've won and lost a dozen fortunes, KILLED MANY MEN! And loved only one woman, with a passion a FLEA like you could never begin to understand. That's who I am. NOW, GO HOME, BOY!"

Hub McCann had a hard time fitting in with the folks at home after his travels abroad. I get that. 



Secondhand Lions is a 2003 American adventure/comedy film about a young boy, Walter, (Haley Joel Osment) who is sent to live with his two eccentric but mysterious great-uncles (Hub and Garth McCann (Robert DuvallMichael Caine) on a farm in Texas. The movie was filmed in Lockhart, Texas.

Saturday, March 19, 2016

Emotional Intelligence



My daily dose of comeuppance arrived in the form of an article published in Harvard Business Review by executive coach Muriel Maignan Wilkins.

You know how most people think of themselves as above average drivers? By definition, we cannot all be above average. Turns out, most of us also have a skewed view of our emotional intelligence. 


Here are some of the telltale signs, according to Wilkins, that you need to work on your emotional intelligence:
  • You often feel like others don't get the point and it makes you impatient and frustrated.
  • You're surprised when others are sensitive to your comments or jokes and you think they're overreacting.
  • You think being liked at work is overrated.
  • You weigh in early with your assertions and defend them with rigor.
  • You hold others to the same high expectations you hold for yourself.
  • You find others are to blame for most of the issues on your team.
  • You find it annoying when others expect you to know how they feel.

One of the main points of the article is that least emotionally intelligent among us may be the most shocked by honest feedback. We all tend to believe that we are emotionally intelligent, but if our co-workers do not share our high self-assessment, the truly emotionally intelligent will humbly seek improvement.  

I recognized a lot of myself in Wilkins' seven bullet points. I may wish it were not true, but I acknowledge that I have room to improve. When you read the list, what happens for you? Do any of the points make you twinge a little? Do some make you twinge a lot? Perhaps you read the whole list and nothing happens. If that is the case, you may be on either extreme of the EI scale.

Fortunately Wilkins does not leave those of us in the middle of the EI spectrum and yearning to improve our EI quotient without a path forward. She offers four strategies for developing a higher EI.

Read more: https://hbr.org/2014/12/signs-that-you-lack-emotional-intelligence#ixzz3aij79glO

Saturday, March 5, 2016

Joey Feek: A Life Well-Loved



Joey Marie Martin Feek
September 9, 1975 – March 4, 2016

The world has lost another loving mother and talented woman to cervical cancer. Her bravery and the support of her #1 fan, husband Rory Lee Feek, have made Joey's passing particularly painful.

First, watch the Overstock.com commercial to remind yourself of of where it is that you remember Joey Feek. Sweet, pure, loving, simple, caring, country Joey and her husband Rory, along with their dog Rufus made one of the endearingly enduring commercials I've seen.

I am not one who follows country music closely, so I'll admit, Joey's death was a surprise to me. But after I heard the news, I spent the whole morning reading Rory's journal, This story is just so heart-wrenching. These days, all of us know someone who has battled cancer. Many of you have battled cancer and so have I. Many of us know someone close to us who has lost that fight, such as my brother. Cancer is such a scourge. Cancer takes way too many of us too soon.

Please read about Joey and her courageous battle. Send some support to Indy, her daughter with Rory, and Rory's older daughters as this shattered family tries to make sense of a senseless and devastating loss. Think about what you might be willing and able to do to improve cancer research, diagnosis, treatment, and care.

For those not familiar with Joey, this Wikipedia article describes her rise to fame, her cancer diagnosis, the birth of her daughter, and the resurgence of the cancer that claimed her life at the age of 40.

This Country Rebel blog is a source of so much information about Joey's life and death. I started here and got lost for hours and hours.

Sunday, February 7, 2016

What was your favorite Super Bowl halftime show?

The question of the day: What was your favorite Super Bowl halftime show? 

Please visit this LINK to cast your VOTE  


Here, from ABC News Radio, is a list of all 26 modern era Super Bowl halftime show performers, in chronological order:
1991 — New Kids on the Block
1992 — Gloria Estefan
1993 — Michael Jackson, performing with 3,500 children
1994 — Country stars Clint Black, Tanya Tucker, Travis Tritt, Wynonna, and Naomi Judd
1995 — Patti Labelle, Miami Sound Machine & Tony Bennett
1996 — Diana Ross
1997 — ZZ Top, James Brown, the Blues Brothers featuring Dan Aykroyd, John Goodman and James Belushi
1998 — Boyz II Men, Smokey Robinson, Martha Reeves, the Temptations, Queen Latifah
1999 — Stevie Wonder, Gloria Estefan, Big Bad Voodoo Daddy
2000 — Phil Collins, Christina Aguilera, Enrique Iglesias, Toni Braxton
2001 — Aerosmith, 'N Sync, Britney Spears, Nelly, Mary J. Blige
2002 — U2
2003 — Shania Twain, No Doubt, Sting
2004 — Janet Jackson, Justin Timberlake, Nelly, Kid Rock, P. Diddy
2005 — Paul McCartney
2006 — The Rolling Stones
2007 — Prince
2008 — Tom Petty & The Heartbreakers
2009 — Bruce Springsteen & The E Street Band
2010 — The Who
2011 — Black Eyed Peas
2012 — Madonna
2013 — Beyonce (and Destiny's Child, briefly)
2014 — Bruno Mars feat. Red Hot Chili Peppers
2015 — Katy Perry, Lenny Kravitz & Missy Elliott
2016 — Coldplay, Beyonce and guests
Copyright © 2016, ABC Radio. All rights reserved.



Please visit this LINK to cast your VOTE  

Saturday, February 6, 2016

A Slow, Slurring Sonnet



I get so sad and melancholy when I hear a Leonard Cohen song. Cohen's art is so full of longing and regret that it often evokes a melancholy mood on its own--but that is not the sole reason for my reaction.

Cohen writes songs like the one featured here, Love Itself, and when performing invokes the words as if he were having an intimate conversation with an old friend. I often feel like an eavesdropper when listening to a Cohen song. And it makes me feel sad because Cohen has somehow figured out how to express deep human emotions in an effortless, off-hand manner.

But the casual conversation so effortlessly tossed out for any ear is often just exactly what my soul is struggling so hard to say. My own emotions are so difficult for me to express. How is it that Cohen can so easily expose the human heart? How is that possible? How is it fair? I try so hard and nothing happens. Cohen talks with anybody or nobody over a cup of coffee and the wisdom of the ages is revealed in a slow, slurring sonnet.

Not fair.

Wednesday, February 3, 2016

Ring the Bells that Still Can Ring





Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That's how the light gets in.


I love the poster.
I recognized one of my favorite Cohen quotes.

Searching the PhilosFX archive, 
I found this old post 
with a similar quote from the Sufi mystic, Rumi. 


Was Cohen channeling Rumi? 
Or are the two just kindred souls? 


A universal Truth awaits those who seek it.